An Interview with Madina Ismailova

1. Please introduce yourself and tell us about your education and your interest in cinema.

Greetings! I'm Madina Ismailova, a dedicated filmmaker deeply passionate about the art of storytelling through cinema. My journey in the realm of film was ignited by an early love for narratives and a fascination with the power of visuals to evoke emotions and convey compelling messages.

My educational background is a crucial part of my storytelling evolution. I pursued formal education in film and television, which equipped me with valuable knowledge about the technical aspects of filmmaking, including directing, producing, screenwriting, and cinematography. This academic foundation honed my artistic voice and nurtured my ability to craft narratives that resonate with diverse audiences.

2. Seeing and reading what works aroused your interest in this medium, and as a result, what works do you owe your education in cinema to?

My interest in the cinematic medium was initially sparked by the mesmerizing stories and visuals I experienced in my childhood. The narratives I encountered through films and television captivated my imagination and instilled in me a fascination for storytelling.

One of the works that significantly influenced my passion for cinema was "Eight and a Half" by Federico Fellini. This masterpiece showcased the potential of storytelling through intricate visuals, complex characters, and thought-provoking themes. It was a pivotal work that broadened my understanding of the art form and set the tone for my artistic aspirations.

During my education in cinema, I was profoundly influenced by a range of films and directors. The works of Akira Kurosawa, with films like "Seven Samurai" and "Rashomon," deeply impacted my understanding of narrative structure, character development, and visual storytelling. Additionally, the works of Ingmar Bergman, particularly "Persona," inspired my exploration of existential themes and psychological depth in storytelling.

In the realm of contemporary cinema, the works of filmmakers like Christopher Nolan, with films such as "Inception" and "Memento," further fueled my passion for experimenting with non-linear narratives and exploring the complexities of the human mind.

These influential works, along with many others, have not only shaped my artistic vision but also guided my educational journey in cinema. They have inspired me to continually push boundaries, experiment with diverse genres, and strive for excellence in crafting stories that resonate with audiences on a profound level.

3. Tell us about your first project. What difficulties did you have in the beginning?

My first project was a humble yet heartfelt endeavor. Armed with nothing more than a 21-megabyte phone and a team of dedicated friends who shared my passion for storytelling, we embarked on our initial foray into filmmaking. In those early days, we faced numerous difficulties, primarily related to our limited resources and inexperience. Despite these obstacles, every setback was a valuable lesson that fueled our growth and determination. Through perseverance and a commitment to our passion, we turned those early challenges into opportunities for growth. It was a formative period that laid the foundation for my journey as a filmmaker, teaching me to embrace setbacks as part of the creative process and inspiring me to continually evolve as a storyteller.

4. Is it more important to have a budget, or to have the mind to find salvation solutions in critical situations?

First and foremost, having the mindset and creativity to find salvation solutions in critical situations is paramount. While a budget is undoubtedly valuable and can provide essential resources, the ability to think innovatively, problem-solve, and adapt to challenging circumstances is the cornerstone of successful filmmaking. In the face of limitations, having a resilient and resourceful mindset allows for creative workarounds, unique approaches, and the ability to maximize the impact of available resources. Ultimately, it's this ingenuity that can elevate a project, making it stand out and succeed, even when faced with financial or logistical constraints.

5. Do you think film festivals help filmmakers?

Absolutely, film festivals are a tremendous boon for filmmakers and artists alike. These events offer a platform to showcase their creative works to a broader audience, gain exposure, and receive valuable feedback. Film festivals often bring together industry professionals, fellow filmmakers, critics, and enthusiasts, fostering networking opportunities and potential collaborations. Moreover, festivals can lead to distribution deals and partnerships, propelling the filmmaker's career forward. The recognition and awards received at prestigious film festivals can significantly enhance the visibility and credibility of a filmmaker, opening doors for future projects. Overall, film festivals play a crucial role in supporting, promoting, and celebrating the art and craft of filmmaking.

6. Tell us about film production companies. Can one, as an inquisitive filmmaker, count on production companies?

Film production companies can be a valuable resource and collaboration partner for filmmakers, especially those starting out or looking to elevate their projects. These companies are often equipped with the necessary resources, expertise, and experience to help bring a film from conception to completion.

From financial support, production expertise, distribution opportunities and to a creative collaboration. It's crucial for filmmakers to carefully choose the right production company that aligns with their vision, values, and goals. Contracts and agreements should be thoroughly reviewed to ensure a fair and mutually beneficial partnership. Ultimately, a good collaboration with a reputable production company can indeed lead to great results, allowing filmmakers to create impactful and successful films.

7. How much of the future of cinema do you think is in the hands of powerful companies like Netflix?

The future of cinema is undeniably influenced by powerhouse companies like Netflix, marking a paradigm shift in the industry. Their prominence stems from the trend of streaming services becoming the preferred mode of consuming content. Netflix and similar platforms have revolutionized distribution models, offering a vast array of films and series at viewers' fingertips, challenging the traditional theater experience.

The global reach of streaming platforms allows filmmakers to transcend geographical limitations, potentially reaching a broader and more diverse audience. These platforms often champion underrepresented voices, paving the way for a more inclusive industry. By prioritizing a range of diverse stories, they contribute to a cultural tapestry that resonates with a wider spectrum of viewers.

However, it's crucial to note that while streaming platforms are redefining how audiences engage with films, traditional cinemas and production houses remain vital. The future likely entails a hybrid model where both streaming platforms and traditional cinemas coexist, catering to different audience preferences and experiences. Balancing this duality will be essential in shaping the future of cinema, ensuring that diverse voices and stories continue to find platforms to thrive.

8. Is cinema, as some say, dead, and should we expect television and Internet broadcasts to be gaining more and more power?

Cinema is not dead; rather, it is evolving and adapting to the changing landscape of entertainment. The emergence of television and the internet has certainly shifted how we consume content, and streaming services have gained significant traction. However, traditional cinema still holds its place and continues to be a powerful medium for storytelling and artistic expression.

In essence, it's not a matter of cinema being dead, but rather an evolution of how we engage with films. The landscape now encompasses traditional theaters, streaming services, online platforms, and various hybrid models. Filmmakers have more options than ever to showcase their work, and audiences have a broader range of content to choose from, enhancing the overall cinematic experience.

9. What skills do you think a filmmaker needs to have? Is it necessary for the filmmaker to personally understand many specialized subfields?

A filmmaker should possess a versatile skill set to effectively bring their creative vision to life. While they don't need to be a master of every specialized subfield, having a solid understanding of various aspects greatly enhances their ability to collaborate with a diverse team. Storytelling lies at the heart of filmmaking, necessitating strong skills in scriptwriting, narrative structure, and character development. Cinematic understanding, including composition, lighting, and camera operation, is crucial for visual storytelling. Proficiency in directing, communication, and leadership ensures the effective coordination of the team and realization of the artistic vision. Knowledge of editing, sound design, and production management is vital for refining the final product. While specialization is valuable, a comprehensive grasp of these skills empowers filmmakers to make informed decisions, fostering a collaborative and successful filmmaking process.

10. Tell us about your next project, please.

Currently, as a director and writer, I'm exhilarated to have multiple projects in the pipeline, each offering a unique and exciting creative journey. One of the projects is an ambitious feature film, a sprawling narrative that delves into the complexities of human relationships and societal dynamics. The story unfolds in a multi-cultural backdrop, allowing me to explore diverse perspectives and weave together a tapestry of emotions and experiences.

Simultaneously, I'm in the pre-production phase of a thought-provoking short film. This project is a more intimate exploration of human psychology and the intricacies of personal growth. It's an opportunity to experiment with storytelling techniques and visual aesthetics, aiming to deliver a poignant and visually striking narrative.